Right at the sta
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Planning
When we knew what we needed to know about thriller openings it meant we could start planning our own. First off we spoke as a group about what the opening was going to be about. Jon came up with a good idea of having a man preparing what looked like a bomb, putting it in a
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Once we had the opening pretty much planned out in our minds it was getting it all down and finalising it. I put a list of roles on the blog of what everyone had to do so that we were all sure who was doing exactly what to make sure we all did things and nothing was done twice or forgotten about. I had to do the story board which took a lot longer then I thought it was going to take, as we wanted to make it as precise as possible to assist with the real filming later on. So we planned out on paper the number of the shot and what it would show, so then I could draw it up having not missed anything out. After I had done all the drawings for it and details it was time to film it as an anamatic. I did this by sitting on a chair with the camera on the tripod filming each of the shots while doing a voice over to describe what would happen in each shot, and then used imovie to edit it in making it into an anamatic and just uploaded it onto the blog.
To show it really is just an opening we obviously did not show the rest of the film in it, b
Filming
After the anamatic was done we were pretty much ready to go and film we had ho
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We filmed during the day at a woods but we wanted it to be look like in the night so it later on in
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We originally were not going to break the 180’ degree rule but then after a while and during filming we actually thought maybe it would be good to do so in this situation, as her life as been messed up and is not in place so the camera work should show this! Plus it does not confuse the viewer in a running seq
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(examples of rule break)
The rest of the runn
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(examples of light effect, day - night)
- little bit blue
- Bare feet and then boots, tut, tut, tut...BUT its not massively noticeable so its all good
- I didn't really like the mirror shot at the end. There is quite a bit of space above Fran's head, I think that it could of been made better by making sure her head filled the empty space
- loved the make up, the music an
d the flashbacks were really good, the titles are ok, don't really like the way you put 'AysJonFranTom,’ because you wouldn't really see titles set out like that in a proper film
- not keen on the zooms either, just think they are a little pointless but I really love the last few seconds!
- Overall, great guys
- Wow, that is amazing. The best i have seen!
- I love how your like 'what the hell?!' as you don't know what has happened, it gets you wondering what she is running from.
- The close up revealing the marks on her wrist were great on how you just casually show them
- The music is great and the flash shots worked really
fit with the title!
Overall, I was happy with the above comments as most people were really impressed with what we did and did say it was creepy and tensed. I think the points above on how it was too blue, the top looking unreal, the credits, and framing with the mirror were true. The night vision was vital we did it though as it just did not feel at all any where as near scary enough in the day. The top was cheap and its hard to chose something which does not stand out but does the job. And we positioned the credits like that as we thought it would be different and more exciting than a comma, but to be fair you don’t often see that style in films.
Questions
- Throughout the opening we used many traditional conventions like sound, fast cuts, cuts and bruises and ripped clothes for mise en scene used in other thrillers. We had the silh
ouette of the protagonist and he had a syringe, being the weapon. We used enigma codes and restricted information to increase suspense, like why she had the mark on her? Where had she been? What happened in the flashbacks, and who it was with the syringe? Hopefully this made people wan
t to watch more. Also in the flashback of her tied up we made it low key lighting and made it look creepy. Just before we see her we wanted to build up the sound making it increasing then she appears and its nearly silent to emphasise the fear and shock. This is also backed up with the jittery hand held camera work and the fast cuts at the start, but then as she gets to the road she is nearly back to civilisation so it gradually gets slower, with longer shots to show this long journey she has gone through.
- We chose our main character as a young girl because I suppose you could argue that girls traditionally represented as stereotypes to be more vulnerable, and more likely to be the victim. Where as if this had been showed as a guy running in the woods you may assume differently to what we wanted, like you could think he was stereotypically running away because he had hurt someone, but when you see a girl running away you naturally assume she’s running from something. The ripped clothes and flash backs also give the idea that a sexual attack may have occurred, and we thought it would suit a younger female character more then either a mature lady or a man because once again the audience should sympathise or empathise with her more, due to her traditional image of vulnerability, as a young girl. We would also hope the target audience, being teenagers over 15 years to adults, male or females, would be able to relate to her easier as they may be her age or have friends or children her age or sisters or girlfriends, so the emotional impact would hopefully help them to connect more to the character. Later on she would become stronger character and be an inspiration to the female audience.
- How did we attract the audience?
- Story told- hopefully its really interesting as you want to know what has happened to her and why. We give enough away to know she has obviously been held prisoner or been through something traumatic, however thats all we know, no details and no exp
lanation.
- The camera shots should make it more interesting, like the flashback shots of the syringe and the slow pan of her being tied up. The mirror and blood shots are also different, and we tried to show her cuts and bruises subtly in shots.
- The character- Shes just a normal girl, helping people to relate to her, and the state of her clothes and hair and make up should make the audience want to know more, and make them pity or sympathise with her.
- Our sound- It starts off quiet to make it build up, and theres a rush in the sound straight before we see her, then its quiet again to really build on that tension, making everyone at the edge of their seats. We put in long drones so it wasnt quiet but we thought less sound was more appropriate and was creepier, as a lot of our sound is natural from when we filmed.
What have you learnt about technologies from the process of constructing this product?
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We debated about whether having two foot shots in this sequence, we decided we definitely wanted the feet stepping down on to the leaves to emphasise her stepping on to the road and this being a big step as its her return to civilisation. But there was another shot of her feet walking down the road, we thought this was too much feet in a short time, and we were running out of time too so thought best to leave it out, and I'm glad we did. We weren't originally going to have a shot of me looking up at the
house, but I thought it would be good to just to see and check it makes sense, otherwise it may confuse the audience if she was just suddenly in a random shower, at least this looks like its her home, and in research we found establishing shots may start off in a city then a house then a window and then inside, so that you know where about that person is. And in editing we managed to connect the last walking up the road shot by match on action to the walking in front of the house really well, as Jon said we should let her walk out the shot and into the shot in front of the house. And the road was actually no where near the house, so I'm pleased how well it turned out.
I think Ays, said it just looked too unsteady and not right. So we managed to persuade them to leave that bit out and keep the straight pan going up, once again i think this was a right decision. this also happened with a zoom with the mirror shot. As the boys really liked a zoom then a mirror shot but we thought it wasn't smooth enough, and think sometimes when you use a zoom it takes the seriousness out of it and makes it look less professional. But we let them have a short zoom instead, I still am not keen on it however, it doesn't stand out as much as the other possible zooms we could of had, but i think its just cause i'm not keen on zooms in general.
We had a shot in the woods when i was like freaking out a bit but we put special effects over it to make it looked cool but slightly crazy and distorted, this would show her frame of mind, but it just didn't fit with the rest of it and was unnecessary and im glad we left it out. But we allowed the flashes of the flashbacks as it wasn't too much and wasn't over the top, and we felt it broke up and emphasised how it was a flashback and was like a big flash in her mind, obviously relating to the title, relapse.
- The story- In general the story of the final is a lot better, as in i would say it is more interesting and much more thrilling as a thriller. The use of enigma codes and restricted infromation is much more used in the final then before, but I would not say we have used them so much that it is confusing.
- The Camera Work- Before our comments were things like "too much space above heads or between characters"
or "theres a door in the middle" so mise en scene and framing was not thought about much. I'd say in this final our framing is of a better standard. If we have left a big gap its because we wanted to for a reason, like when she walks down the road its to make her look all alone and vulnerable and as if she has just re-entered this big outside world again after being locked up for ages.
- Mise en scene- We went more over board with this as before we used no make up and only thought they should wear coats. But putting more effort in made it look better, my make up which I did actaully worked well and went better then expected as looked quite real! for the redness all i used was a lipstick and just smudged it slightly. We thought about what was in the frame alot more, like we moved tooth brushes, shower gels and things in the shower, and kept moving our bags and coats in the wood as sometimes we could see them. And in the Flashback of her being tied up we made it so there was only a duvet with no quilt on so it looked like a grim bed which she may of had to stay of for weeks. We also wanted it to be very plain against a wall so not to draw the audiences attention away from it.
- Sound- Overall the sound is an improvement. In the preliminary we just used our natural sound from filming and didnt even use Garageband. But with this we used drones, and owl and those beats before we see her, and then the sharp sounds for the flashbacks. We did not need alot of sound for this as our natural sound was really good especially with the stepping on the leaves. But having the little bits of sound effects here and there did help with the tension.
Overall....
I have enjoyed filming this a great deal and have learnt a lot from it. If i was going to change anything i would probably take out the little zoom with the mirror as i dont think it works that well, but thats just being pickey, and there is one shot in the shower when you can faintly hear my home phone which we only realised after compleating it. But as a whole i am so pleased with the final and am proud with it, it went alot better then i thought it was going to when I thought up the idea of a girl running through the woods!